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Originally Posted by johnfromoz Who defines "legitimate" artist or whatever is pretty much what I asked, too, and that led inevitably to me quoting your sig.  The nearest I would come is that self-declaration of something as "art" is IMHO not quite enough in itself. I suggest that by way of a reality check, peer review is appropriate. Certainly some artists would bite the dust, and perhaps some people now thought of as artists, even as great artists, would have been nipped in the bud. Was Kerouac an artist, or Ginsberg? The mainstream would have screamed "No!" but they did have peer review, even if it was not then mainstream peer review. |
It depends on what the purpose is. If it is a specific limited purpose, such as deciding whom to give a grant to, or an award, the perceived quality can be important. There is always some sort of informal and/or formal review by one's peers in the normal course of events, as there is in any profession, which can give the writer or artist feedback should he or she choose to accept it.
But for purposes of determining whether someone's art or writing should be considered legitimate and therefore subject to being censored or not,
IMO "peer review" is totally unacceptable.
And why on earth would we want to "nip someone in the bud"? (Regardless of whether their work is great or not.) That's a serious question. This has so many implications. Who knows which mediocre writers may have inspired other writers who then went on to do great things? The interchange of ideas among creative people is an essential part of the evolution of the human race.
It can take years for a writer or artist to develop their craft. It's challenging enough as it is now, putting your work out there knowing it will be judged, and making the personal and financial sacrifices to do so, but ... holy cow.
Well, honestly, I think Kerouac and Ginsberg would have been laughing to even think about such a thing happening. (And then they'd have written a poem about it.

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Originally Posted by Azhria Lilu I'm only commenting on a couple of points that have been made at the moment as I was gloriously woken up by the girls at stupid o'clock when they burst into the bedroom to announce Shannon needed the toilet. As the baby had been awake half the night I was less than impressed... but anyway....... |
"Stupid o'clock" ... my least favorite time of day

. Hope you're feeling better by the time you read this.
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So the author of the book is using the basis of, for argument's sake let's call it fact, the written story of Muhammed for her work. He married a child bride, and back when this happened it was also the norm for girls to be married at young ages. Let's be honest here, it was only a couple of centuries ago that under 16's were still being married off to older men. I'm not saying it was right or clever, but it is (regarding age of child brides) historical fact - so as far as I'm concerned the author broke no rules bringing it up in her book.
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Even if it wasn't an historical fact, this is a work of fiction, not a biography. Fiction is not required to be factual, even if it's about people who actually lived. That's why it's called "fiction".
William Shakespeare wrote many plays about public figures (Caesar, various kings and queens, religious figures, etc.) and he made up most of what he wrote about them. I don't see anyone carrying on because it's not historical fact, or because it involved violence, or suicide (Hamlet ... "to be or not to be"), or child abuse, or bestiality ("A Midsummer Night's Dream".)
The argument could be made, "well, that's Shakespeare, he wrote classics, he should get special treatment" ... his plays were not classics when he wrote them, and why should he get special treatment?
Back to the "prophet's wife" novel, I can understand why devout Muslims would be upset at anyone writing about Muhammed, but aside from that, I can't see any rules that have been broken. So the question is, should writers and their publishers allow themselves to be dictated to by a small vocal minority in this manner?